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Pranab Bardhan: Awakening Giants, Feet of Clay : Assessing the Economic Rise of China and India

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The recent economic rise of China and India has attracted a great deal of attention--and justifiably so. Together, the two countries account for one-fifth of the global economy and are projected to represent a full third of the world's income by 2025. Yet, many of the views regarding China and India's market reforms and high growth have been tendentious, exaggerated, or oversimplified. Awakening Giants, Feet of Clay scrutinizes the phenomenal rise of both nations, and demolishes the myths that have accumulated around the economic achievements of these two giants in the last quarter century. Exploring the challenges that both countries must overcome to become true leaders in the international economy, Pranab Bardhan looks beyond short-run macroeconomic issues to examine and compare China and India's major policy changes, political and economic structures, and current general performance. Bardhan investigates the two countries' economic reforms, each nation's pattern and composition of growth, and the problems afflicting their agricultural, industrial, infrastructural, and financial sectors. He considers how these factors affect China and India's poverty, inequality, and environment, how political factors shape each country's pattern of burgeoning capitalism, and how significant poverty reduction in both countries is mainly due to domestic factors--not global integration, as most would believe. He shows how authoritarianism has distorted Chinese development while democratic governance in India has been marred by severe accountability failures. Full of valuable insights, Awakening Giants, Feet of Clay provides a nuanced picture of China and India's complex political economy at a time of startling global reconfiguration and change.

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Crispin Thurlow,Kristine Mroczek: Digital Discourse : Language in the New Media

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Digital Discourse offers a distinctly sociolinguistic perspective on the nature of language in digital technologies. It starts by simply bringing new media sociolinguistics up to date, addressing current technologies like instant messaging, textmessaging, blogging, photo-sharing, mobile phones, gaming, social network sites, and video sharing. Chapters cover a range of communicative contexts (journalism, gaming, tourism, leisure, performance, public debate), communicators (professional and lay, young people and adults, intimates and groups), and languages (Irish, Hebrew, Chinese, Finnish, Japanese, German, Greek, Arabic, and French). The volume is organized around topics of primary interest to sociolinguists, including genre, style and stance. With commentaries from the two most internationally recognized scholars of new media discourse (Naomi Baron and Susan Herring) and essays by well-established scholars and new voices in sociolinguistics, the volume will be more current, more diverse, and more thematically unified than any other collection on the topic.

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Ian Jukes,Anita Dosaj,Bruce MacDonald: NetSavvy : Building Information Literacy in the Classroom

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This easy-to-follow guide can help teachers become leaders rather than followers in the new high-tech, high-speed, digital era. Students and teachers, even the most technology-resistant, can learn to solve problems from sources like Internet sites, news groups, chat-rooms, e-mail and other Internet resources.

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Rudolf Steiner,O. Barfield: Calendar of the Soul: The Year Participated

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In listening to the changing language of the year, said Rudolf Steiner, we can rediscover our individual nature. These meditative verses, one for each week of the year, help to awaken a feeling of unity with nature while simultaneously stimulating a discovery of the self. Through intensive work, Steiner's unique meditations can lead to a feeling of oneness with the world. This budget-priced pocket version features Owen Barfield's pioneering translation - 'paraphrased for an English ear' - based on more than 50 years studying the text. As Barfield argues, no simple translation can convey the 'thrust' of the verses. In his words: 'It is this quality which the version that follows especially aims to suggest - at the expense, where necessary, of close reproduction.'

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Billy Graham: Angels: God's Secret Agents

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Today's interest in the supernatural often seems to put the emphasis on demons, ghosts and other evil powers. But what about the forces of good? Angels are thought by some to be purely the province of song lyrics, fairy tales and popular mythology, yet they are mentioned nearly three hundred times in the Bible and are in fact a very real source of comfort and strength for many people today.

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David Ashton,Brian Cox,Full Cast,Siobhan Redmond: McLevy: The Collected Editions: Series 7 & 8: 8 Episodes of the BBC Radio 4 Crime Drama Series

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Eight episodes of the BBC Radio 4 detective series set in Victorian Edinburgh, starring Brian Cox. Inspired by the real-life memoirs of one of Scotland's first policemen, James McLevy prowls the dark streets of 1860s Edinburgh bringing criminals to justice, with the assistance of Constable Mulholland. The Firebrand: A women's rights campaigner is kidnapped, and it's up to McLevy to investigate. Dead Reckoning: A strange case of grave robbing has McLevy puzzled. Prince of Darkness: One of Jean Brash's old lovers is back from the dead - and out for revenge. A Distant Death: McLevy's nightmares of death by drowning seem about to come true...The Blue Gown: With the help of Jean Brash, McLevy investigates the death of a seamstress. Flesh and Blood: A student is accused when a tavern brawl ends in murder. A Fine Deception: Suspicion falls on a stage magician after a jewel robbery at Edinburgh Castle. The Last Illusion: McLevy must proves his theory that a celebrated conjurer is a thief. Brian Cox stars as Inspector McLevy, with Siobhan Redmond as Jean Brash and Michael Perceval-Maxwell as Constable Mulholland. Duration: 6 hours approx.

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David J. A. Clines,Bruce M. Metzger,David Allen Hubbard,Glenn W. Barker,John D. W. Watts,James W. Watts,Ralph P. Martin,Lynn Allan Losie: Job 38-42: Volume 18B

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The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization * Introduction-covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. * Each section of the commentary includes: * Pericope Bibliography-a helpful resource containing the most important works that pertain to each particular pericope. * Translation-the author's own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. * Notes-the author's notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. * Form/Structure/Setting-a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. * Comment-verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. * Explanation-brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. * General Bibliography-occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.

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The author writes: FRANNY came out in The New Yorker in 1955, and was swiftly followed, in 1957 by ZOOEY. Both stories are early, critical entries in a narrative series I'm doing about a family of settlers in twentieth-century New York, the Glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, I suppose that sooner or later I'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, I'm very hopeful. I love working on these Glass stories, I've been waiting for them most of my life, and I think I have fairly decent, monomaniacal plans to finish them with due care and all-available skill.

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Richmal Crompton,Thomas Henry,Lydia Monks: William the Fourth

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